This week we discussed Bava’s only foray into science fiction: Planet of the Vampires (1965). Deep shadows swallow characters whole and you can smell the smoke from pyres lit to burn witches. Continue this thread level 1. Report Save. [42] Later, Lamberto was sometimes credited as John M. Old, Jr.[43] When Lamberto directed his first solo film Macabre in 1980 and screened the completed work for his father, Mario commented jokingly to Lamberto: "I am very proud of you. 1960 is to horror what 1939 is to classical Hollywood – … Close. Ivan Rassimov Kell/Derry. https://filmschoolrejects.com/10-giallo-films-for-beginners [10], Although most of Bava's films as director failed to achieve major commercial success upon release, many eventually found acclaim as cult classics, with their content and production values being favourably compared to the works of Alfred Hitchcock. Unable to turn out paintings at a profitable rate, he went into his father's business, working as an assistant to other Italian cinematographers like Massimo Terzano. Report Save. More. Some he directed, too. Printed on a soft 30/1 T-shirt with plastisol ink. I Coltelli del Vendicatore (Knives of the Avenger, 1966) It is the end of the year 1964 when director … Right before Bava's death, he was about to start filming a science fiction film titled Star Riders. The first time I witnessed it, I could not fully understand the effect it had on me. Additional information. It is elevated above carbon copy rip-off, thanks to its riveting socio-political context and Bava’s masterful, unusual direction. Paul Bond and I are rolling again with the Mario Bava film festival. As it unfolds for long stretches within the confines of an overcrowded car hijacked by fleeing crooks involved in a heist and shootout with the coppers, the absence of Bava’s trademark style provides a tantalising glimpse at what may have been the director’s attempt at self-reinvention at a time when his type of movie was deemed a bit old-fashioned. Shudder always brings the goods, but they’ve outdone themselves with a seven-film collection of Italian horror maestro Mario Bava’s greatest hits. Aesthetically, Rabid Dogs is equivalent to a rock star famed for epic guitar solos and stage bombast going acoustic. Special effects. The Mask of Satan, by virtue of baroque camerawork, a dreamlike atmosphere and poetic grace notes, offered monochromatic elegance interrupted by shocking acts. Mario Bava is a director who I hadn't seen much of until very recently. Mario Bava's Cani Arrabbiati/Rabid Dogs(1974), follows on the heals of A Bay of Blood(1971), Baron Blood(1972), and Lisa and The Devil(1972) which at the time of their release was not well received. Meanwhile, A Bay of Blood was another key stepping stone to the American slasher. A Bay of Blood!Directed by the fantastic Mario Bava! Mario Bava . ... Mario Morales Eldon. (The other is for utilizing slipshod transfer prints that are washed out and/or badly edited). Its opening scene, for example, is unforgettable. Head over to Nintendo eShop and download the … Mario Bava was born in Sanremo, Liguria, Italy. Mario Bava Wiki, Biography, Age, Net Worth, Contact & Informations Biography Filmography TV series Video Photo News Awards Here you can learn about Mario Bava's career and curiosities about the private life, read the latest news, find all the awards won and watch photos and videos. Mario Bava’s intended Rabid Dogs finally comes together in this new special edition Note: Rabid Dogs’ Regon B Blu-ray is available direct from Arrow Video After a bloody robbery that leaves one of their gang dead, three vicious criminals make a desperate getaway by kidnapping a man and his sick child. Actors on set state Bava directed the film. I have only seen Bay of Blood but it's tremendous influence was not lost on me. Rabid Dogs is a sort of anti-road movie, too. Bava's Semaforo Rosso (1974) never was released theatrically during his lifetime; the film only appeared on Video in the late 1990s, re-edited with some new footage, as Rabid Dogs, and was released later on DVD in 2007 in a slightly altered version under the title Kidnapped. PERSONAL DATA OF MARIO BAVA Born in: SANREMO, Imperia Add to Cart Notify me when this product is available: Submit. La Maschera del demonio) marked an auspicious directorial debut for 46-year-old Mario Bava and ushered in a new era of visceral realism in the horror genre.Prior to this film, Bava had earned a reputation as one of Italy's finest cinematographers, having begun his career by photographing two shorts for Roberto Rossellini. Interviews with more than 100 actors, co-workers, friends and family members. The best place to start – The Bird with the Crystal Plumage. Share. More. Thankfully, Troy Howarth keeps the plot synopsis for each movie short and spends more time discussing and analyzing each feature. It's a tremendous start to what would end up being one of the most brilliant careers in all of horror, and one of the genres undeniable masterpieces. Bava originally signed on as cinematographer, but after Freda encountered difficulties with the investors and quit the production, Bava was entrusted with directing the final two days of filming. [1], Mario Bava's son Lamberto Bava worked for 14 years as Bava's assistant director (beginning with Planet of the Vampires), and became a horror film director. The result is a must-see for fans of both father and son. Several books have been published about Mario Bava: Mario Bava by Pascal Martinet (Edilig, 1984) and Mario Bava edited by Jean-Louis Leutrat (Éditions du Céfal, 1994) in French; Mario Bava by Alberto Pezzotta (Il Castoro Cinema, 1995) in Italian; The Haunted Worlds of Mario Bava by Troy Howarth (FAB Press, 2002) and most recently, the massive critical biography Mario Bava: All the Colors of the Dark by Tim Lucas (Video Watchdog, 2007; .mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 0-9633756-1-X). Retour sur La Ruée des Vikings de Mario Bava à (re)découvrir dans une édition Blu-ray française soignée par Le Chat qui fume.. Synopsis : en l’an 786, alors que les Vikings envahissent l’Angleterre, le roi Harald souhaite pactiser avec les Saxons.Mais il est trahi par le baron anglais Rutford, qui convoite le trône d’Angleterre détenu par le roi Lothar et son épouse Alice. His father, Eugenio Bava (1886-1966), was a cinematographer in the early days of the Italian film industry. Registered charity 287780. A documentary about him titled Mario Bava: Maestro of the Macabre was released in 2000. But it was the films he made under his own name from 1960 onwards that captured the imagination of the public, critics and generations of filmmakers. At the time of purchase, my knowledge of his work and influence came mostly from Black Sabbath and the influenced it had on the legendary heavy metal band. Bava biographer Tim Lucas (Mario Bava: All the Colors of the Dark) provides another running audio commentary for a Bava film (something he’s done for a good number of other Bava DVD and Blu-ray titles for various studios over the years) and this is definitely one of his best yet, providing a very thorough history and analysis of the film in question. A former painter, Bava extended his eye for beauty in composition to forge breathtaking symphonies of colour and light in a series of masterful horror classics. Mario Bava assure une bonne réalisation dans un espace réduit (un appartement) et l'histoire bénéficie d'une prestation de Michèle Mercier, non seulement belle, mais surtout convaincante. Judged on its own merits, however, the picture turns out to be a pretty enjoyable little sex comedy. Completed the film after Freda left production. This is especially true when you compare del Toro's work on Crimson Peak to the work of one of Italy's greatest horror filmmakers, Mario Bava. A foul-mouthed, grubby, nihilistic crime caper filmed and set around the dusty outskirts of Rome, Rabid Dogs is clearly indebted to the savage cinema of Sam Peckinpah. R.I.P. and thousands of hours of killer content. it is after all very trivial. Because he had no earlier credited experience as a director, the film was credited solely to Paolo Heusch. 3 years ago. Bava was a true visual stylist, and a generic description of his output just does not do the man justice. Bava later did special effects matte work on Dario Argento's 1980 film Inferno. Mario Bava took a vital role in the creation of the modern horror film. Many experts of the genre have cited The Girl Who Knew Too Much (1963) as the birth of the giallo, but I say this elegant slasher picture and its mix of poetic, haunting beauty with Grand Guignol gore and a bent of sexual perversity is where it really began. 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